Mixed Level Classes
Most classes are appropriate for beginner and intermediate students, including writers who have participated in previous workshops but want to work on technique.
Registration for these classes is on a first-come, first-served basis.
To register, click the links on each course description here, call 646.505.5708 or go to the JCC website.
Advanced classes
Our advances classes are really tailored for experienced and previously published writers who want to refine their work for publication.
Registration for advanced classes requires approval of the instructor and a 3-5 page writing sample. You’ll find these links on the course’s post description here. If, for some reason you can’t find it, you can …
email samples to:
writingclasses@jccmanhattan.org
or
mail to:
Writing Samples New York Writers Workshop at the JCC 334 Amsterdam Avenue New York, NY 10023. After authorization has been given, you must register over the phone at 646-505-5708 (not online) .Locations
Nonfiction Fiction Poetry Songwriting Workshop location (unless noted):
The JCC in Manhattan 334 Amsterdam Ave. at 76th St.Program room assignments will be available at the JCC Customer Service Desk, in the lobby of the Samuel Priest Rose Building.
For more information, or to register, please call 646-505-5708.
Working on a novel
… or series of short stories?
Rigorous yet sensitive critique;every other week deadlines; lively discussions about the elements of fiction; plus an overview of how to publish — all featured in this collaborative workshop. Work is read in advance of class for discussion.
Email 3-5 page writing sample to jenny@wedeskyull.com
... instructor approval required.
The Hunger Games. Twilight. Eragon…
Learn what makes a story for teens earn raging success and how to shape your own young adult project into a can’t-put-it-down novel geared to attract attention in the popular Y/A market. Open to adults and teens 16 and up.
E-mail writing samples to aestes1@yahoo.com
What people are saying …
“I took Allison Estes’s class knowing very little about children’s book writing, but in eight weeks she gave me the foundation to write books for all ages. Allison knows how to inspire and when to offer analytical critiques. I finished two full-length children’s novels in her workshops, and even when classes were over she continued to help me. She must be one of the best children’s book teachers in the city.”
James M. McGrath
“The workshop on Creating Children’s Fiction has exceeded my expectations. The detailed information on the different fiction categories for different age groups has been invaluable, and the guidance regarding the creation of both narrative and dialogue has been superb. Most of all, the constructive and encouraging feedback that I have received has allowed me to polish and refine my individual project in a manner that I could not have imagined when I began writing it. I highly recommend this class to anyone with an interest in children’s fiction.”
Jane Tear
“Two years ago I registered for Allison Estes’ class at NYWW by mistake! And it was the best mistake I have ever made. I have repeated Allison’s class on several occasions, and each time I have learned to apply new lessons and energy to my writing attempts. The title of the class was Creating Children’s Fiction but the basic precepts which Ms. Estes teaches turned out to be universal and essential for any type of writing. She is a perceptive and direct teacher, who has a long list of published works, and she brings her own professional talents and experience to her teaching. She reads or listens to a piece of writing and defines the core of its direction or meaning with clear but kind suggestions and examples. My experience has encouraged me to continue to write and finish a long piece.”
Florence Herriot
Craft a solid beginning
and you just may have a novel that sells.
Taught by Les Edgerton and Jenny Milchman


For students who have taken our Beginnings class, or for those who have a solid first draft of a novel, or those who are seriously contemplating publishing their work, Beginnings 2 is a great next step.
Master craftsman Les Edgerton (HOOKED, FINDING YOUR VOICE, and fourteen books of fiction and non-fiction) and debut novelist Jenny Milchman, who broke into publishing after an eleven year journey, team up to explore how a successful novel is structured and the three different paths to reaching readers.
- CLASS 1: Tues, April 24
- CLASS 2: Tues, May 1
- CLASS 3: Tues, May 8
- CLASS 4: Tues, May 15
- CLASS 5: Tues, May 22
- CLASS 6: Tues, May 29
Live Skype Class: $535
Pre-recorded Sessions with Email Access to Instructors: $335
One-on-one Coaching: $100/hour
How to Apply
- Subject: NYWW Online “Beginnings”
- The first 3-5 pages of your novel
- 100 words about what you hope to get out of this course
- Contact information (name, email, address, phone)
- Send the email to either:
- Jenny Milchman jenny@jennymilchman.com
- Les Edgerton butchedgerton@comcast.net
Once you are accepted,
payment can be made via PayPal:
SKYPE version – $535RECORDED version – $335
Or by personal check made out to:
New York Writers Workshop
AND in the MEMO line please note if it is for:
Beginnings Class SKYPE
or
Beginnings Class RECORDED
Mail check to: Dianne Conjeaud 102 Noble Street Brooklyn, NY 11222 ATTN: NYWWNew York Writers Workshop in Shanghai, April 2012
Register at colorboxarts@gmail.com
http://www.colorboxarts.com/en/index.php
Enrollment is limited to 12 students per workshop.
Workshops:
Entry Points for Fiction and Memoir
Following Through: the Next Steps in Fiction and Memoir
Story World: Fleshing Out Place & Time in Fiction and Memoir
Entry Points for Fiction and Memoir
Thursday, April 12, 7:00-9:00pm, 200rmb
Where do you begin a story effectively? What do you do once you’ve entered the story world? Entry Points for Fiction and Memoir is a craft-based workshop that considers these questions through example, then exercise. Participants write, share (as time allows), and discuss work generated by exercises that are Incident-based, Character-based, and Setting-based; participants leave the workshop with three story openings, and suggestions for the next story steps. Through out, the conversation remains focused on issues of craft.
Following Through: the Next Steps in Fiction and Memoir
Saturday April 14 1:00-4:00pm, 300rmb
You have your story premise, your character/s setting, and opening events? now what? Following Through: the Next Steps in Fiction and Memoir picks up where Entry Points for Fiction and Memoir left off. Through example and exercise, the workshop focuses on scene dynamics, with particular attention paid to types of dialogue. Participants move stories forward through the construction of scenes and summary narration. Progression of conflict, elaboration of theme, and effective use or discovery of symbol are also considered.
Story World: Fleshing Out Place & Time in Fiction and Memoir
Saturday April 21, 1:00-4:00pm, 300rmb
One of the most neglected aspects in the imagination of stories (in both fiction and memoir) is setting in place and in time. An inordinate amount of focus is placed on character and event at the expense of description and history. But character and event can’t be fully persuasive, fully dimensional, unless they’re situated in a well- established context. This workshop session identifies strategies for opening up story world through model and exercise. By session’s end, your characters will be engaged with events in places and times that help complete the story picture.
Tim Tomlinson is a co-founder of New York Writers Workshop, and co-author of its popular text, The Portable MFA in Creative Writing. Recent fiction and poetry appear or are forthcoming, online and in print, in Asia Writes, Caribbean Vistas, InterlitQ,Mandala Journal, The New Poet, the New York Quarterly, Pank, Prick of the Spindle, riverbabble, Salt River Review, and in the anthology Long Island Noir (Akashic Books). He was featured poet in Saxifrage Press (Dec 2011). “Blue Surge, with Prokoviev,” in Sea Stories, was nominated for Best of the Net 2011. Tim has been running workshops since 1991, and he’s taught or consulted in the US, the UK, Italy, Thailand, Singapore, the Philippines, and now China. He’s lived in London, Florence, Paris, Cha’am (Thailand), Manila, Boston, Miami, New Orleans, Andros Island (the Bahamas), and now Shanghai.
Instructor: Laura Zinn Fromm
Fiction and creative nonfiction involve
strong story lines,
memorable characters, careful narration and lively dialogue. We will migrate between the two genres. You can submit essays or sections of memoirs.
E-mail a 3–5 page writing sample to zinnfromm@gmail.com
Prepare your work
for publication, whether memoir, personal essay, op-ed piece, magazine article, or nonfiction book. Techniques of narration, description, dialogue, and structure discussed.
E-mail a 3-5 page writing sample to hoke5@aol.com.
… upon instructor approval.
What people are saying …
“Charles Salzberg’s was the single best writing course I’ve ever experienced. He provided just the right amount of support and constructive criticism. I left each session with ideas to improve my piece.”
Lauren Weisberger, author of The Devil Wears Prada, developed in Charles Salzberg’s workshop.
“Charles Salzberg is a wizard–inspiring, gentle and brilliant with organizational strategy. He gave me the jump start I needed to begin writing fiction, and now I have one novel in hardcover that will soon be a paperback, with a contract for two more books. I’m now running a NYWW workshop myself, but I consider my participation in Charles’s workshop to be an invaluable part of my writing process.”
Sally Koslow, author of Little Pink Slips
“I have taken several sessions of Charles Salzberg’s “Works in Progress” writing courses. I have never had a better teacher. His sensitivity and insight into each participant’s needs as a writer, the depth of knowledge and experience he brings to his comments, his professionalism, ability to communicate with each participant clearly, yet tactfully and persuasively — all these qualities are remarkable. Charles has an apparently inexhaustible willingness to help not only in recognizing and solving writing problems but in carrying through the individual’s work to publication. ”
Julia Scully





